Your ‘Book of Mormon’ $25 ticket prayers have been answered

“The Book of Mormon,” the hit Broadway musical about latter-day missionaries in Africa, returns to Austin and Bass Concert Hall April 17-22. The folks at Broadway in Austin and Texas Performing Arts don’t want you to to miss a beat, so they have instituted a lottery for a limited number of $25 tickets.

‘The Book of Mormon’ returns to Bass Concert Hall as a season option. Contributed by Joan Marcus.

Here’s how it works: Two and a half hours before each performance on the University of Texas campus, box office staff will start to accept entry cards with each person’s name and the number of tickets (1 or 2) that they wish to purchase. One person; one entry. Winners must be present at the time of the drawing and show a valid ID.

Again: Limit of one entry per person and two $25 tickets per winner. In New York, this kind of lottery, which was also used for them musical “Rent,” has attracted as many as 800 entries for some performances.

By now, any Broadway buff knows this 2011 show created by Trey Parker, Robert Lopez and Matt Stone, known variously for their creative work behind “South Park” and “Avenue Q.” Although it mocks the Mormon religion, it does so with just enough good will to attract LDS fans.

Trinity Adams wows as Annie Oakley for Summer Stock Austin

Only two Austin theatrical performances this year have sent me into the streets singing, nay, shouting the praises of a performer. Both are relative newcomers to the scene, but if there’s any justice, they won’t ever become strangers.

The first was Chanel‘s profoundly inspired take on Billie Holiday in Zach Theatre‘s “Lady Day at the Emerson Bar and Grill.” How many times I’ve turned over in my memory her point-on patter, unvarnished vulnerability, ravishing voice and total embrace of the audience.

The second was Trinity Adams as Annie Oakley in Summer Stuck Austin‘s “Annie Get Your Gun,” currently running at the Long Center. Just 17, Adams is an award-winning actor who recently graduated from Dripping Springs High School.

Hey, Dripping, do you know what ya got in this gal?

The minute Adams bounded onto the stage at the Rollins Studio Theatre, the room just expanded exponentially to take in her radiance. Not that everything she did in the Irving Berlin classic was big and grand, no, she electrified the audience with slightest grin or aside.

As my theater companion, Suzie Harriman, pointed out, she’s like Broadway star Sutton Foster. No matter where she is in director Scott Thompson‘s stage-filling production — you won’t believe how well these kids dance! — your eyes are drawn to Adams.

She was capably complemented by Max Corney and a host of other troupers. Almost all of them also appear in “Spamalot,” a wonderfully cute Summer Stock musical directed by Ginger Morris. In that show, I was particularly taken with Lydia Kam, Ben Roberts, Michael Morran, Coy Branscum and Matthew Kennedy.

But why kid? All the the Summer Stock players are talented. Adams, however, at this precious theatrical moment, shines like the brightest stars in the heavens.