The organized arts and humanities generally don’t save lives directly during emergency situations. Yet they save our culture — our shared memory — over the long run. Here are some ways the state and national communities are responding to Harvey and where the help will be most needed.
The National Endowment for the Arts is working with the Texas Commission on the Arts to assess the situation. NEA Chairwoman Jane Chu: “As the current situation stabilizes, the NEA is prepared to direct additional funds to these state arts agencies for re-granting to affected organizations, as we have done in the past.”
The Texas Library Association and Texas State Library and Archives Commission are working to coordinate a response for the affected library community.
While some smaller arts facilities have been devastated on the coast (see image from Rockport), the massive Houston Theatre District has sustained enormous damage, as it has in previous storms (much of it was built underground not far from Buffalo Bayou).
At the Alley Theatre, the small Neuhaus Theatre and its lobby were flooded. The same spaces were severely beat up during Tropical Storm Allison in 2001.
The Wortham Theatre Center, where Houston Grand Opera and Houston Ballet perform, took water on the Brown Theatre stage and out front of the house. The basement with its costume and prop storage, however, was totally flooded.
On the other hand, the Hobby Center and Jones Hall for the Performing Arts, came off relatively unscathed, although the parking garages were inundated.
Earlier, we reported that an important photographic exhibit about Frida Kahlo and Diego Rivera would be seen at Mexic-Arte Museum come Sept 16-Nov. 26. Later, we learned that some local elements would be added to the touring show, including a piece inspired by Kahlo’s Blue House.
Now we find out that the Butler School of Music and the University of Texas School of Fine Arts have commissioned a Spanish-language opera about the creative duo. Other partners in the deal are Fort Worth Opera, San Diego Opera and DePaul University.
To add to the buzz, Pulitzer Prize-winning playwright Nilo Cruz and composer Gabriela Lena Frank have signed on to create “The Last Dream of Frida & Diego.” It will premiere in Fort Worth in spring 2020, San Diego in 2021 and at UT’s Butler Opera Center in February 2021.
We love this. Austin Opera has co-commissioned several outstanding works, although not for a while, as has UT. It’s what an opera producer should do.
With some exceptions, arts and other cultural groups — we include major literary and historical outlets — don’t return to full form until September.
Yet now’s the time for all arts groups to confirm their seasonal slates and for all readers to consider purchasing season tickets.
In fact, for some high-demand groups, if you haven’t secured your 2017-2018 subscriptions already, you’re stuck with angling for single slots.
For instance, galvanized by the chance to secure tickets for the matchless musical, “Hamilton,” in the 2018-2019 season, more than 3,000 new subscribers have signed on for Broadway in Austin’s 2017-2018 offerings.
Now, some groups don’t operate on the traditional season system, rolling out one show at a time. Others split up their seasons. For instance, the Long Center for the Performing Arts won’t announce its Winter/Spring slate until September.
We respect that. What will follow soon in these pages is a list of shows that we could discover with relative ease in July. We’ll add others to digital extensions on the Austin Arts blog when they arrive.