Austin’s longest-running quilt show returns Sept. 28-30 with mini quilts, rainbows of color

Quilters and sewing nerds are all around you.

Sometimes, they look like the grandmothers and mothers who might have taught you to sew a long time ago, but increasingly, they look like men and young people and punk rockers and people who also run marathons on the weekend.

I’m one of those quilt fans who looks forward to the annual shows that bring together the country’s best quilters. (You should have seen how excited I was to see the Houston International Quilt Show a few years ago.) Austin has hosted a number of large quilt shows in the past few years, including several Modern Quilt Guild’s international QuiltCon shows, but the Capital of Texas QuiltFest is the longest-running quilt show in Austin.

RELATED: Austin-area quilt bees, shows celebrate traditional, modern quilting

Hosted by the Austin Area Quilt Guild, the show has taken place every other year since 1980, and the event returns to the Palmer Events Center, 900 Barton Springs Road, on Sept. 28-30.

The theme this year is “World of Color,” and you can see the more than 350 quilts on display — and the quilting, fabric and sewing vendor booths, as well as live demonstrations  — from 10 a.m. to 6 p.m. Friday and Saturday and noon to 5 p.m. Sunday.

This year, they also have a special exhibit featuring 46 miniature quilts that are also competing for prizes. Tickets cost $10 online and $10 at the door. Children 12 and under are free.

From a release:

Through the Capital of Texas QuiltFest, AAQG is able to share its mission (preserving the art form and heritage of quilting and promoting excellence and education in quilt-making) with the greater community around us. Through the show, we share our art medium with others and widen their horizons to appreciate quilts in new and unexpected ways.

By displaying these quilts for the public to view and enjoy as well as conducting live demonstrations of various quilting techniques, the AAQG is fostering growth and appreciation of this art form. Visitors will find that quilts aren’t just something made for the bed anymore. They find themselves astonished by the artistry of these quilts. Our members come from diverse cultural backgrounds, and those themes can be seen in their displayed quilts. There is truly something for everyone to appreciate and enjoy at the QuiltFest.

Here are some of the quilts that will be on display this year. You can find out more about the show at captxquiltfest.org.

For the first time in 10 years, Blanton Museum of Art raises ticket prices

The home of Ellsworth Kelly‘s “Austin” and Vincent Valdez‘s “The City” will soon become more expensive for some guests to visit.


RALPH BARRERA / AMERICAN-STATESMAN

As of Sept. 1, the adult ticket price at the Blanton Museum of Art will increase from $9 to $12 and the senior price will increase from $7 to $10.

RELATED: UT unveils large-scale painting of Klan members

In comparison, top ticket prices at the Museum of Fine Arts-Houston are $23; San Antonio Museum of Art are $20; Dallas Museum of Art are $16; Fort Worth’s The Modern are $16; Fort Worth’s Kimbell Art Museum are $14; SMU’s Meadows Museum of Art are $12

The Menil Collection in Houston and Blaffer Art Museum at the University of Houston are free.

Admission to the Blanton remains free on Thursdays and to certain subsets of visitors. It also remains closed on Mondays.

Vincent Valdez’s work “The City” is on display at the Blanton Museum of Art. In a forum on Tuesday for the unveiling, Valdez talked about the quiet ubiquity of white supremacy in American life. Rodolfo Gonzalez for American-Statesman

RELATED: Ellsworth Kelly’s “Austin” worships light.

Complete price list as of Sept. 1:

Members: Free

UT Faculty/Students/Staff (with valid ID): Free

Adults: $12

Seniors (65+): $10

College Students (with valid ID): $5

Teachers (with valid school ID): Free

Youths (13-21): $5

Children 12 & under: Free

Active Military: Free

Winners rejoice for 2018 Austin Critics Table Awards

Seems like yesterday when we sat down at Katz’s Deli to vote on the first Austin Critics Table Awards. Now a whole new generation of arts journalists are making the decisions. We could not be happier.

The following individuals and groups were honored Monday night at Cap City Comedy Club. (If I missed any, let me know.)

CRITICS TABLE AWARDS 2018

THEATER

Production (tie)

“Henry IV,” The Hidden Room Theatre

“Ragtime,” Texas State University Department of Theatre and Dance

RELATED: “Ragtime” is an American classic.

Direction

Jason Phelps, “The Brothers Size”

David Mark Cohen New Play Award

“Wild Horses,” Allison Gregory

Performance by an Individual

John Christopher, “The Brothers Size”/”Fixing Troilus and Cressida”

Chanel, “Lady Day at Emerson’s Bar and Grill”

Jennifer Coy Jennings, “Wild Horses”

Sarah Danko, “The Effect”/”Grounded”

Judd Farris, “Henry IV”/”The Repentance of Saint Joan”

Joseph Garlock, “The Immigrant”

Performance by an Ensemble

“The Wolves,” Hyde Park Theatre

Periphery Company

“Wimberley Players,” Wimberley

DESIGN

Set (tie)

Stephanie Busing, “The Curious Incident of the Dog in the Night-Time”

Chris Conard/Zac Thomas, “Pocatello”

Costume

Buffy Manners, “Shakespeare in Love”

Lighting

Rachel Atkinson, “Scheherazade”/”Twenty-Eight”/”Catalina de Erauso”/”The Curious Incident of the Dog in the Night-Time”/”Con Flama”

Sound

Lowell Bartholomee, “Grounded”

Digital (tie)

Lowell Bartholomee, “The Effect/Wakey Wakey”/”The Repentance of Saint Joan”/”Grounded”

Robert Mallin, “Enron”

DANCE

Concert

(“Re)current Unrest”, Charles O. Anderson/Fusebox Festival

Short Work

“Four Mortal Men,” Ballet Austin

Choreographer

Jennifer Hart, “Fellow Travelers”/“Murmuration”

Dancer

Anika Jones, “Belonging, Part One”

Rosalyn Nasky, “Come In!!!”/”Pod”/”There’s No Such Thing as a Single Stripe”

Jun Shen, “Belonging, Part One”

Ensemble

“Exit Wounds”/”Masters of Dance,” Ballet Austin

RELATED: Ballet Austin aims for the heart with “Exit Wounds.”

CLASSICAL MUSIC

Concert/Opera

“Southwest Voices,” Chorus Austin

Chamber Performance

Golden Hornet Young Composers Concert, Golden Hornet

Original Composition/Score

“I/We,” Joseph V. Williams II

Singer

Marina Costa-Jackson, “La Traviata”

Jenifer Thyssen, “An Early Christmas”/”It’s About Time: Companions”/”Complaints Through the Ages”

Veronica Williams, “Songs of Remembrance and Resistance”

Ensemble

“Invoke, Beerthoven”/Golden Hornet Smackdown IV

Instrumentalist (tie)

Bruce Colson, “It’s About Time: Companions”

Artina McCain, “Black Composers Concert: The Black Female Composer”

VISUAL ART

Solo Gallery Exhibition

“Claude van Lingen: Timekeeper,” Co-Lab Projects

Group Gallery Exhibition

“Yo soy aqui / I am here,” ICOSA

Museum Exhibition

“The Open Road: Photography and the American Road Trip,” Blanton Museum of Art

Independent Project

2017 Texas Biennial

Gallery, Body of Work

Co-Lab Projects

Artist

Michael Anthony Garcia

SPECIAL CITATIONS

John Bustin Award for Conspicuous Versaility: Mary Agen Cox, Jeff Mills

Deacon Crain Award for Outstanding Student Work: Connor Barr, Kat Lozano, UT; Ben Toomer, Texas State

Outstanding Music Direction: Austin Haller for “Ragtime”

Outstanding Choreography: Natasha Davison for “The Drowsy Chaperone”

Horn of Plenty Award: Benjamin Taylor Ridgeway & Jennifer Rose Davis for the masks in “Rhinoceros”

Jurassic Spark Award: The Hatchery for creating the raptors in “Enron”

One Singular Sensation Award: Kaitlin Hopkins for the Texas State University Musical Theatre Program

RELATED: Kaitlin Hopkins takes Texas State to the top.

Always a Safe Flight Award: Barry Wilson & Team for Rigging Design & Execution in “Belonging, Part One”

Outstanding Touring Show, Dance: Johnny Cruise Mercer and Fusebox Festival for “Plunge In/To 534”

Blanton Museum of Art for Ellsworth Kelly’s “Austin”

Vortex Repertory Theatre for “Performance Park”

AUSTIN ARTS HALL OF FAME INDUCTEES

Norman Blumensaadt (Different Stages) – company founder, artistic director, director, actor

Kathy Dunn Hamrick (Kathy Dunn Hamrick Dance Company, Cafe Dance) – company founder, artistic director, choreographer, dancer, educator

Michael and Jeanne Klein (Blanton Museum of Art, The Contemporary Austin, Ransom Center, et al.) – patrons, board members, civic leaders, arts advocates

Anuradha Naimpally (Austin Dance India, Cafe Dance) – company founder, artistic director, dancer, choreographer, educator

Get an early look at what’s coming up at Creek Show 2018

Creek Show, the annual procession of light art staged by the Waller Creek Conservancy, turned a corner of sorts last year.

What started as mostly elegant minimalist efforts along downtown Austin’s eastern waterway went maximalist in 2017 with masses of pink flags for “Night Garden” by Eric Leshinsky (lead) with Colter Sonneville, Megahn Skornia and Wenjie Zhao.

“Night Garden” was a hit for the Creek Show in 2017. Contributed by creekshow.com

The designs for year five — the free event will be Nov. 9-17 — were recently announced and promise to continue the large-scale experience. In 2017, more than 20,000 people attended Creek Show, sampling the kind of attractions planned for a transformed Waller Creek. For 2018, Creek Show will be in a different section of Waller Creek — between Ninth and 11th streets — and include Symphony Square, where the “Creek Show Lounge” will be located.

Here’s a look at early renderings of what’s planned for 2018, along with the teams behind the designs:

“Tentsion”

By Perkins + Will

Chet Morgan, Assoc. (lead)

Jenny Adair

Caitlin Admire

Aaron Manns

Emilie Ogburn

Ellen Saathoff

Paul Ward

“Ambedo βeta”

By Polis

Daniel Goodwin (lead)

Brianna Graves

Olivia Nguyen

Bruce Wilcoxon

“Parabolus”

By aod

Jose Roberto Corea (lead)

Courtney Jones Burton

Gretchen Leigh Du Pré

Jeff Fletcher

“Light Lines”

By Campbell Landscape Architecture + Tab Labs

Cameron Campbell (lead)

Bill Baird

Taurin Barrera

Stuart Campbell

Jenny Janis

Viddhi Jhaveri

“La Noria”

By Drophouse Design

Christian Klein (lead)

Matt Satter

Christy Taylor

“Urban Scrim”

By Lemmo Architecture and Design

Ryan Lemmo, (lead)

Stephanie Lemmo, Assoc. (lead)

Jonathan Butler

Julia Martinelli

 

 

 

Setting the highest standards for the Art Dinner at Laguna Gloria

Etherial location. Elegant crowd. Exquisite cuisine. Excellent art.

Scene from the Art Dinner at Laguna Gloria. Michael Barnes/American-Statesman

For the past five years, the Art Dinner at Laguna Gloria has benefitted the Contemporary Austin. Hosts expertly employ the arboreal setting on the grounds of the Clara Driscoll villa to create an elevated atmosphere at dusk and into the evening. This year, that effort included the passage of the S.S. Hangover through the lagoon with members of an Austin music collective playing a dirge-like piece.

Visual artists do love a bit of theater!

The S.S. Hangover at Laguna Gloria. Michael Barnes/American-Statesman

Guests were in no hurry to pass up cocktails a key points in and around the villa, but the seated dinner took place under tents on the front lawn. Happily, I was placed next to designers Lydia G. Cook and Geoff Fritz from the Cambridge, Mass. firm of Reed Hilderbrand Landscape Architecture. They helped explained the company’s master plan for the Contemporary’s Marcus Sculpture Park, including connectivity to nearby Mayfield Park.

RELATED: Imagine a new welcome at Laguna Gloria.

The modest but tasty dinner arrived courtesy of restauranteur Tyson Cole along with chefs Ed Sura of Uchiko and Joe Zoccoli of Uchi. (Note to other Austin charity hosts: You don’t need a big slab of animal protein to satisfy.) The evening climaxed with an unusually civilized live auction featuring work by artists close to projects at the Contemporary.

Dr. Sam Rumi and Dr. Meena Vendal andat the Art Dinner at Laguna Gloria. Michael Barnes/American-Statesman

“When all was said and done, we raised more than $500,000 in the live and silent auctions,” reported the museum’s spokeswoman, Nicole Chism Griffin. “One hundred percent of these funds will go to support exhibitions at both of our locations. We also raised  $325,0000 toward the purchase of Ai Weiwei’s “Iron Tree Trunk.” Our goal had been $100,000 for the evening! This $325,000 will go toward fulfilling the Edward and Betty Marcus Foundation’s challenge grant of $500,000 (for the purchase).”

I hear that some guests danced till the wee hours.

Andre Revilla and Rachel Imwalle at the Art Dinner at Laguna Gloria. Michael Barnes/American-Statesman

Austin Symphony

Some notes on the Austin Symphony‘s recent concert at the Long Center.

• One way to fill a house: Schedule Beethoven‘s Fifth. It is the duty of artistic leaders such as Peter Bay to expand tastes and lead audiences in new directions. Still, the Fifth — if well done, and it was — satisfies and enlightens with each fresh interpretation. It comes with the added benefit of a standing-room-only crowd.

RELATED: Why I adore the Austin Symphony.

• I’ve tried to sit in every part of the Long Center house since it opened 10 years ago. Row 4 on the orchestra level was not the right place to take in the concert’s opening piece, Michael Torke‘s “Bright Blue Music.” All I heard was the lower range of the strings and all I saw were the polished shoes of the musicians.

• Turns out the same seat was ideal for Leonard Bernstein‘s “Serenade (after Plato’s Symposium) for Solo Violin, Strings, Harp and Percussion.” Here, only the strings really mattered and they came together beautifully in conjunction with violinist Vadim Gluzman‘s playful then profound solo turn. Booked as part of the “Bernstein at 100” celebration, this near-concerto is a gem to revive more often.

• Bay has proven time and again that he can take epic forms to ever higher heights. Last season, it was Mahler‘s Sixth, an almost brutally difficult symphony to get right. With Beethoven’s Symphony No. 5 in C Minor, the challenge instead is overfamiliarity. Bay and his always advancing ensemble treated the first movement with rhythmic clarity, the second with architectural balance, the third with taut force and the final movement with bristling brilliance.

Get ready for Ellsworth Kelly at the Blanton Museum of Art

Top arts news of the week: UT opens Ellsworth Kelly masterpiece at the Blanton Museum of Art. Although museum members, directors and backers have peeked inside the chapel-like building on campus, everyone can see it during regular museum hours beginning Feb. 18. Check into the Visitors Services desk in the east wing of the museum first. And go on a sunny morning for the best light show.

READ a description of the place on our premium site MyStatesman.com.

The tumbling square windows fill one vault with pale light. Ralph Barrera/American-Statesman

“Patches of color drip ever so slowly down the walls, then pool onto the smooth black granite floor. On sunny days, the tall white barrel vaults swim with jewel-toned iridescence.

“Not only do the intense hues migrate minute by minute, they alter from day to day according to the position of the sun above “Austin,” a phenomenal new building that doubles as a monumental work of art on the University of Texas campus.”

Austin still talking about monumental José Parlá mural

Over the weekend, we posted about “Amistad América,” the extraordinarily ambitious abstract mural by José Parlá at UT’s Rowling Hall, commissioned by the 10-year-old Landmarks program.

Hundreds gathered for the unveiling of José Parlá’s “Amistad América,” a huge abstract mural at UT’s new Rowling Hall. Michael Barnes/American-Statesman

READ FULL STORY HERE.

That got folks talking on social media. You can add to the chat.

Carla McDonald: “Love these pix!”

Mary Margaret Quadlander: “Isn’t it stunning?!”

Alice Illian-Masquelette: “Wow!”

Julio Lozano: “Por La Raza!”

Evelina Rodrigue Warren: “Heard an interview with him on KUT. Can’t wait to see it.”

Phyllis Jackson Stegall: “Magnificent!”

Deborah Hamilton Lynne: “I must see it just because you clearly love it.”

Rick Smitherman: “Not as impressive when you discover it is paint by numbers.”

Me: “That would be a whole lot of numbers.”

Rick Smitherman: “It is indeed.”

 

SXSW puts a premium on art in 2018

At some point, South by Southwest will encompass all human activity.

Austin’s vast March spree started with music in the 1980s, then added movies and technology, before taking on education, philanthropy, the environment and allied fields.

Art came next.

“Feast” by Caitlin Pickall

Today, SXSW announced six art projects for its second annual  program scheduled for the conference and festivals March 9-18, 2018. Combined with the UNESCO Media Arts Exhibition at SXSW, the installations are meant to expand the discussion on visual and digital and media arts during the confab.

We’ll share some artists and titles. Find more information at SXSW Art Program.

SXSW ART PROGRAM INCLUDES:

“Conductors of the Resistance” by Ronen Sharabani

“Feast” by Caitlin Pickall

“Future of Secrets” by Sarah Newman, Jessica Yurkofsky and Rachel Kalmar

“Life Underground” by Hervé Cohen

“MTA: Floating Destiny” with music performed by GuQin

“A Colossal Wave!” by Marshmallow Laser Feast

UNESCO MEDIA ARTS EXHIBITION INCLUDES:

“Forgotten Landscapes” by James Hughes and Ha Na Lee

“Gathering”by Lisa Woods

“Herstory” by Yuliya Lanina

“Passage (Variation)” by Luke Savinsky

Meow Wolf

The Living Museum

“Against a Civic Death” by Rodney McMillian:

“Forever Bicycles” by Ai Weiwei

 

Six reasons to attend this weekend’s International Quilt Festival in Houston

Think quilts are boring?

“Million to One” and “Samuelsaurus Rex” by Susan Carlson, on display at the 2016 Houston Quilt Festival. Addie Broyles / American-Statesman

Think again, arts lovers.

Unless you’ve attended a show like this weekend’s Houston International Quilt Festival, you probably haven’t seen what modern day quilt makers can do with fabric and thread.

This weekend, hundreds of the most amazing quilts you’ve ever seen will be on display at Houston’s quilt show, one of the largest gatherings of its kind in the world. I attended for the first time last year and was blown away by the pieces on display. We met quilters from all over the world who were creating some seriously jaw-dropping pieces of art.

“Crocodylus Smylus” by Susan Carlson was one of the biggest hits at last year’s Houston Quilt Festival. Addie Broyles / American-Statesman

Just in case you need an excuse to head to Houston this weekend for the festival, here are six of them:

1) Quilts are amazing. No really. Quilts. Are. Amazing. If you think you have a notion of what a quilt is, this show will redefine whatever that definition is.

“Lone Star Explores Space” by Peter Hayward  Addie Broyles / American-Statesman

2) Quilts are modern art. Modern and contemporary quilts were what hooked me on quilts in the first place, and although this is a show that encompasses many different quilting styles, you’ll find plenty of pieces that belong in the Houston Museum of Fine Art.

“Polychromatic Predilection” by Judy Coates Perez will be on display at this year’s Houston Quilt Festival. Contributed by the Houston Quilt Festival.

3) Quilts are old. For as long as America has been a country, Americans have been sewing together scrapes of fabric to make quilts. Quilt historians will tell you that you can learn a lot about the country through these pieces of folk art, and the Houston quilt show always has a historical exhibit. This year, one of them is called “Quilts 1650-1850: From ‘Broderie’ to ‘Broderie Perse’.” Last year, we saw giant quilts from the 1800s that made you wonder how people sewed such large pieces by hand.

“I Am the Face of Rescue” by Michelle Jackson Contributed by the Houston Quilt Festival.

4) Quilts are activism. Every quilt show I’ve ever been to has at least one shocker. I’ve seen quilts that say “(Expletive) cancer” and another that was an American flag made out of guns. This year, the Houston Quilt Festival will feature Jeanne Hewell-Chambers’ THE 70,273 PROJECT, which refers to the number of disabled people killed by the Nazi regime.

’Murica” by Kristin La Flamme. This quilt stood out at last year’s Houston Quilt Festival. Addie Broyles / American-Statesman

5) Support Houston after Harvey. Even with the Astros in the World Series, it’s been a tough year for Houston, but that won’t stop thousands of people from around the world from attending this quilt show and spending money in a city that could use the bump in tourism.

Hillary Bas made this quilt that will be on display at the 2017 Houston Quilt Festival. Contributed by the Houston Quilt Festival.

6) Find other fabric arts nerds. Maybe you like to knit or crochet or sew baby clothes. Maybe you’re into batik or tie dye. The market area of the Houston Quilt Festival abounds with fabric and craft vendors, as well as people who specialize in vintage fabrics and quilts, and it’s fun to stroll through the aisles to find the new ways that people are making cool stuff from fabric and thread.

Can’t make it to Houston this weekend? The folks who put on the quilt show also run the Texas Quilt Museum in La Grange, which is open year round. They rotate the quilts on display several times a year, and every time I’ve been, I find quilts so stunning them stop me in my tracks.

“Twelve Dozen” by Timna Tarr was a highlight of last year’s Houston Quilt Festival. Addie Broyles / American-Statesman
“The Pearl Hunter” by Elizabeth Budd was featured at the 2016 Houston Quilt Festival. Addie Broyles / American-Statesman

 

 

10 big Austin arts stories from the past 7 days

En route between two glorious musicals — “A Chorus Line” at Texas State University and “Singin’ in the Rain” at Zach Theatre — on Saturday, my traveling companions paused to consider the American-Statesman arts coverage for just the past week. We were able to rattle off at least 10 significant stories by staff reporters and freelancers during the previous seven days, Sept. 22-28.

Later I thought, hey, 10 in seven ain’t bad. Why not share the bounty here? Dates are for original digital publication. This fat list doesn’t even include substantial descriptions of arts events that appeared on Page 2 of the Austin360 section, thanks to the extraordinary Ari Auber.

From left, Sydney Huddleston, Annika Lekven, Adrian Collins, Maria Latiolais, Kelsey Buckley, Estrella Saldaña, Kenzie Stewart, and Shonagh Smith in Hyde Park Theatre’s production of “The Wolves,” by Sarah DeLappe. Contributed by Bret Brookshire

Sept. 22: Girl power puts ‘The Wolves’ ahead of the pack.

Sept. 24: Preview: Broadway classic ‘A Chorus Line’ connects with Texas State performers.

Sept. 25: Interview: Bring on the music, bring on the tap dancing for ‘Singin’ in the Rain.’

Sept. 25: Review: Young actor gives tar turn as troubled, tempestuous ‘Prodigal Son.

Sept. 25: Pairing the Ballet Austin Fête with the Thinkery’s Imaginarium.

Sept. 26: Review: Texas State’s ‘A Chorus Line’ is a singular sensation.

Sept. 27. Biennial art exhibit takes the long way to get back.

Sept. 28: A world of dance alights at the University of Texas.

Sept. 28: Austin to kick off citywide Day of the Dead celebrations.

Sept. 28: Scary laughs, Eddie Izzard, Kevin Nealon and plenty of sex.